The Imaginarium of Doctor Parnassus

The Imaginarium of Dr. Parnassus is Terry Gilliam's latest concoction of fantasy storytelling. Gilliam kind of took a break for a few years after his last film Tideland got pretty poor reviews. I actually happened to like Tideland for what it was and I thought it was a daring move by Jeff Bridges to take on such a dark role of a heroin addict like that. But with Dr. Parnassus, Gilliam is pretty much back in top form with his signature dark and twisted family fun fantasy film much like he was with The Adventures of Baron Munchausen, my favorite Gilliam film as well as my favorite fantasy film of all time. But this film is also unique in a way that it just so happens to be the great Health Ledgers final role before his tragic and untimely death.

The film centers around an old fashioned traveling theater that gets pulled around from town to town by horse. Led by the elderly Doctor Parnassus, brilliantly played by Christopher Plummer, the theater offers it's customers much more than they bargained for once they enter through the backstage area. When the traveling theater of four stumbles upon a man named Tony, played by Ledger, hanging by the neck from a bridge, things get even more weird as Tony starts to enter the imaginarium world with the customers.

The unfortunate passing of Ledger led to Gilliam having to shoot the scenes where Tony is in the imaginarium world with three other actors playing him instead of Ledger, and it actually works giving the film yet another unique Gilliam vision. The other three "imaginarium Tony's" are played by Johnny Depp, Jude Law, and Colin Farrell thus creating a freaking all star cast. But I'll give you fair warning that Depp has maybe five to ten minutes of screen time at most, Law scraping in maybe five more minutes than that, and Farrell with the longest at maybe twenty minutes. Farrell actually has the best performance out of the three of them and has a really cool story line too. His section of the film which comes towards the end is definitely my favorite. I must admit that Farrell has been growing on me more and more over the years as I really hated the guy when he first entered the scene, but he really seems to have his shit together now and is choosing his roles more wisely.

The film is visually stunning as are all of Gilliam's films but the script and storyline get a tad confusing here and there and I was led off track a few times. Health Ledger and Christopher Plummer both turn in great performances and it was sad watching Heath knowing that it was the last time we'll see him in something new. It was actually a bit eery in some scenes where I saw the character of The Joker still in him mix in with his Tony character, keep an eye out for that. I didn't want to turn this into a Heath Ledger tribute, I'll save that for another day when I can dedicate my true time to the man, but I will definitely miss him as an actor. At least he left us with many great memorable films to remember him by. As for Terry Gilliam....keep'em coming man. I'm excited for this blu-ray as I'm sure it will look spectacular. The Imaginarium of Dr. Parnassus gets a 3 and a 1/2 outa 5.

Public Enemies

Michael Mann is one of my favorite directors out there. He's got an incredible knack for character study as well as a really unique way of shooting his films. He's the master of digital night shots, and he's adapted the use of digital into his own style of filmmaking. I love it. It gives the film so much more of a raw, realistic feel, almost documentary style. When Mann writes or directs, he feels for the bad guy- he lets you see inside the bad guys mind, lets you feel what he's feeling, gives you a glimpse into their heart, and makes you root for him. Very few filmmakers do this, and nobody does it better than Mann. He did this with Vincent (Tom Cruise) in Collateral, with Neil McCauley (Robert Deniro) and Chris Shiherlis (Val Kilmer) in Heat, and he does it again with John Dillinger in Public Enemies.

John Dillinger, portrayed by one of the best most versatile actors of our time, Johnny Depp, robbed banks, shot whomever got in his way, and was the king of the crime wave in the 1930's, and he did it in style. He was a well dressed ladies man with a baby face and a finger with an itch for the trigger. Dillinger only robbed big businesses and banks. He lived among the people in no fear and never harmed them. The opening scene shows Dillinger escaping from jail and from there on out he's pursued by Melvin Purvis played by Christian Bale by the orders of J. Edgar Hoover head of the FBI played by the always great, always underrated Billy Crudup. The 1930's was a time when the FBI was on the rise and really made a stand against crime. As said by Hoover in the film during a speech made to the public it was "Americas first war on crime". It was on every news channel in the country, and so was Dillinger's face, making it for the first time in his life, very difficult to be on the run.

Depp plays Dillinger very stone faced and emotionless. I think this works since this film is really about the fall of Dillinger and the fact that he's finally facing the realities of what he's done. But that doesn't mean Dillinger has lost his "no fear" status, not in the least. There is a great scene towards the end of the film where Dillinger walks into the police station and right into the "John Dillinger investigation headquarters," right past his own mug shot and actually talks to one of the officers without being noticed. We're so used to seeing Depp play the roles of dirty pirates and killer barbers that we forget that he can be a very clean cut handsome man with the ability to still convince the audience of his character. Marion Cotillard did an amazing job as Billie Frechetta, Dillinger's lover, a woman who stood by him, understood him, and trusted him, even though it gets her nabbed. Bale always does a good job with whatever project he's involved with, but here he was just okay. Not bad, just not that impressive. Crudup on the other hand was amazing. He must have gone through some real voice training because he certainly nailed his speech and dialogue to perfection.

There's lots of hand held shots that really give it that documentary feel and seeing a period piece shot in digital was new for everyone I think. I've heard some people say they were annoyed with the way it was shot and that the digital made it look unrealistic, but it certainly worked for me. There is an absolutely extraordinary sequence in the film where Dillinger and his men get ambushed at the house they're staying at in the middle of the woods during the night. This is the biggest most intense sequence in the film as a massive gunfight and chaotic chase ensues. If this wasn't shot in digital we wouldn't be able to see anything, but because it was, Mann is able to deliver the gun battle in epic detail. This scene reminded me of the big gun fight in the streets of L.A. in Heat. Mann knows how to deliver a perfect gun shot sound too. No fake, electric, zipping sounds, these are hardcore real shots we hear. This is by far my favorite part of the film and one of the best sequences I've seen all year. This is another film to watch out for come awards season. I give Public Enemies 4 1/2 outa 5.